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Wedding Albums: Different Prices for Different Photographers?

If you’re a soon-to-be-bride and have shopped around for wedding photographers, you may have noticed that the price of albums seems to vary substantially between photographers.  Unfortunately, a combination of bad business practices and sub-par quality products has lead to a slew of photographers offering non-realistic prices on a product that’s supposed to become a precious family heirloom.  Furthermore, the photographers who are pricing their albums unrealistically low will have some nasty reprocussions, too.

So let’s blow some of the secrecy away and have an open and honest chat about wedding albums!  We aren’t limiting our discussions to the brides perspective, either – we will be addressing the issue from a photographers perspective, too!

So the price of an album can be broken down into 2 main components:  materials cost + design time.

Let’s chat about the material cost of wedding albums first:

There are dozens of companies that professional photographers use for album printing – unfortunately, just because these companies say that they are ‘for professionals only’ doesn’t mean they are offering the best of the best when it comes to the quality of their product.  Think of it this way, the word ‘car’ can describe any type of vehicle be it Toyota or Aston Martin – two very different products and two very different qualities!  This holds true for the phrase ‘professional album’ too – there’s also a sliding scale of quality associated with these products.

Cheaper ‘professional albums’ are made with inferior papers and inks, covers that are much less dense and prone to warping and bindings that aren’t strong enough to last more than a few years.  The higher quality of album you purchase, the less likely it is that you will run into inferior products.  How does this affect the price of the album?  Well, a photographer will pay less for an album that is made with inferior products which means that wedding albums made with low-end materials have a lower material cost.

Asukabook Image // Quality Wedding Albums

Here is an example of an Asukabook album. You can see, just from looking at the photo, that is it high quality. There’s no fraying near the bindings or warping of the pages; the colour is rich and silky. (Image courtesy of Asukabook.com)

Along with basic album components like paper pages and inks, there are “fancy-shmancy” add-ons that can increase the cost of a wedding album such as genuine leather covers, silk wraps and metal cameos (just to name a few).  The more fancy-shmancy you add to an album, the higher the materials cost becomes.

So now onto design time and it’s effect on the cost of a wedding album:

There are three ways a wedding album can be designed:

  1. designed from scratch,
  2. designed with drag-and-drop templates
  3. designed by a third party company.

If your wedding photographer is designing your wedding album from scratch, you’ve found yourself a true artist who is devoted to an individualized product for their clients.  When a photographer is designing an album from scratch they are actually starting with blank photoshop files and they make up the layout themselves.  This allows the photographer to fit as many photos into the album as the client wishes while also being in full control of the design and making sure that the images within the layout compliment one another for a totally seamless and unified layout.  When your wedding album is being designed for you, from a blank slate, your proofing options are also increased drastically!  Whether you want to swap around some photos that aren’t the same size, or decide on an entirely different layout – anything is possible because the photographer created the layout and can therefore change that layout.  Custom designed wedding albums affect the overall cost of an album because it takes a pretty big chunk of time to design an album.  On average, I put about 30 hours into a standard 20-side album (including the time I take to make any changes requested during the proofing sessions).

If your wedding photographer is using drag-and-drop templates, they aren’t actually designing the book themselves.  Sure, they’re deciding where to put certain photos – but they have no control of the layout and can’t change anything no matter how much better it would look with a little tweeking.  When a photographer uses drag-and-drop templates to design an album, the client is often not given the option to request changes to the layout beyond a simple photo swap (and even then, you need to swap same size for same size).  Drag-and-drop album templates can look really pretty in the online stores and it’s understandable that a photographer might want to purchase them, but in my opinion, they aren’t designed with nearly enough flexibility to accomodate for the images obtained at real weddings (and not styled shoots) which means the resulting layout often is lacking that “flow” that a custom designed album has.

Finally, if your wedding photographer simply hates designing albums or doesn’t have the time, they’ll send the work to be done elsewhere!  Whether they hire a third party design company like Red Boot Designs or pay a co-op student or intern to do it, they’ll take any option given to them when it comes to passing the buck.  How they price their albums would depend on how much they spend on the third party design service.  Some of these design services can be very expensive, especially if changes need to be made during proofing sessions – a cost that is passed on to the newlyweds.  Furthermore, many brides and grooms choose to purchase their wedding album via their photographer because they trust in the photographers artistry and skills to produce a custom product.  Personally, I think it’s incredibly unethical for any photographer to give the illusion that they themselves design their albums if they are providing someone else designed.

Now that you know a little bit more about the materials that make a wedding album and the various options available when designing that album, I bet you’re wondering what happens to a bride and groom if they buy a cheap (or ‘less expensive’) wedding album from their photographer.

If a photographer is selling an album for a price that seems a little too low, the bride and groom are probably getting:

  • An album made from inferior products (muted color, warping pages and/or bindings that break)
  • Little to no options for album proofing
  • A layout that doesn’t actually flatter the photos you choose to go in the album
  • Or worse… you may not get much choice over what photos actually go into the album!
  • Layouts that aren’t even designed by the person who you trusted to tell the story of your day
  • A product that isn’t even professional quality (and is actually available at a print shop open to the general public)
  • You may be dealing with a new photographer who has no idea how to price their products and will eventually get burned out and go bankrupt (hopefully after they deliver you the final product, but that’s a risk you are taking!)

So then what happens to a photographer if they sell their albums at the wrong price point?

  • If you’re pricing your albums in such a way that you’re basically designing for free, you’re going to get burned out!  No one has the time to work for free.  Oh, and did I mention that working for free often leads to going out of business?  (I have mentored quite a few new photographers in the GTA as well as Ontario-wide and I know first hand that a lot of new photographers take the ‘knight in shining armour’ approach and want to save their clients from “overpriced products” by bashing the high prices of the wedding industry and basically working for free – these new photoraphers rarely, if ever, flourish in the industry as their naivité and poor business practices often cause them to have to close up shop after only a few years.)
  • If you insist on designing for free (which is a bad, bad business move!) then you’re probably using drag and drop templates since they take little to no time to use.  If you use these types of templates you must be careful not to advertise any of your services as custom, fine-art or any variation of the sort as your product is not custom whatsoever and it’s completely unethical to give that illusion to your clients
  • If you’re pricing your albums in such a way that you’re using inferior materials in order to offset the price of a custom design, you can expect your clients to come back to you with complaints and wanting refunds when their product warps or breaks – this is pure hell on your reputation and business image.

The long and the short of it is this: Everything has a price.  If you’re shopping around for a product or service and notice that some prices are suspiciously lower than others, it’s because somewhere along the line, corners got cut.  Shopping for a wedding album can be difficult because you need to change your mindset from ‘present’ to ‘future’.  When planning your wedding, everything is “now, now, now” – everything seems rushed and hurried and brides and grooms often have a hard time thinking ahead; however, when shopping for a wedding album you need to keep in mind that you should be purchasing a product that will still look awesome 40-years from now, regardless of what it costs today.

There’s always a way to find the funds for a wedding album.  Compared to the overall cost of your wedding, the cost of the album is often minimal!  I offer my clients the option to register for gift certificates that can be put towards a wedding album; but even if your photographer doesn’t have that option, take a step back and reassess your priorities and finances and please, please find a way to invest in your wedding album!  After all, your wedding photos are the only wedding-related purchase you make whose value will actually increase over time.

Wedding Photography Myths: Noon Sun is Best for Photos

The average wedding day has a predictable time frame.  Getting ready in the morning, ceremony around lunch time, an afternoon full of photos and then food and partying until the wee hours of the morning.  Sounds like a great day, right?

When clients start planning their wedding day, they simply adopt this type of schedule without any thought into the time of day that certain events are occurring.  As they discuss the schedule with me, and inform me that photos will take place in the afternoon, they often add in “but it’ll be nice and bright, so that’s great for photos, right?” like they somehow feel like they need to justify their scheduling.  Do clients really believe this?

After years of talking to clients and reviewing wedding schedules, it’s pretty obvious (to me, at least) that the vast majority of people not only assume that afternoon photos are a great idea but that bright, harsh, mid-day sun is actually advantageous to photography.

So what’s the scoop on the sun?

Bright and harsh sunlight is bad for photography for several reasons:

  • It causes harsh shadows
  • It causes people to squint
  • The heat makes you sweat
  • Your hairstyle suffers (curls, waves, updo’s… no matter what it is, it won’t be able to stand the head and sweat!)
  • As little as 10 minutes in harsh sun can cause sunburn during the hot summer months
  • The heat of the day couplesd with your heavy dress and multi-layered suit will simply make you uncomfortable and cranky!  Some may even feel light headed which could lead to fainting.

If a photographer is working in bright sun, they have to use their flash(es) to fill in the shadows and even then, it’s just not as nice and as soft as the light you would get at sunset or from an overcast sky.  So what is a bride to do in order to ensure beautiful photos on her wedding day?

  • Make sure you hire a photographer who knows how to use flash
    • Beware of those who claim to work “only as natural light photographers” as they may lack the technology and skills to provide you quality photos during excessively bright times of the day
  • Opt for creative scheduling
    • Can you take your photos in the late afternoon or at dusk?
  • Why not choose an indoor location for photos?
    • Just because it’s summer it doesn’t mean you can’t take pictures indoors.
    • Bonus: Even if it rains, you can still take your pictures!
  • Consider a post-wedding bride and groom session
    • Sure you’ll have to pay for hair & makeup again, but it’s worth it in order to have a beautiful sunset portrait session!
  • If you must schedule your photos during the mid afternoon, choose a photography location that offers large areas of shade
    • And I don’t mean simply a wooded area – trees cause spotty light patches which are even worse than full sun!
  • What about ceremony photos?  If you want an outdoor ceremony in an area where there is no shade, please consider a sunset ceremony!
    • No matter how you’re positioned at the alter, if you’re getting married during bright sun either you will be squinting, your spouse will be squinting or all of your guests will be squinting.
    • Squinting isn’t a good look for anyone!  Avoid it at all costs.
    • If you are having a sunset ceremony, make sure your ceremony is set up so that the sun is behind the pastor/officiant and NOT off to the left or the right as it will cast massive, unflattering shadows.
Toronto Wedding Photography at Osgoode Hall by Ten·2·Ten Photography

Toronto Wedding Photography at Osgoode Hall by Ten·2·Ten Photography
This is an example of how amazing sunset wedding photography can be; the soft glow of the setting sun ads magic of warmth to the couples’ photo. (The beautiful couple in this photo opted for an anniversary session in order to get beautiful sunset images.)

There are a lot of ways to work around harsh, noon-day sun and still provide newlyweds with beautiful memories of their day but it may take a little creative scheduling and planning from the bride and groom and some thorough vendor searching.  When your wedding day is over, all you’re left with is your memories so always make your wedding day so that you maximize the opportunity to capture them.

Wedding Myths: 2 Mediocre Photographers vs. 1 Amazing Artist

The topic of “1 wedding photographer vs. 2″ has been a hot one for several years now.  If you do a quick internet search you’ll find several thousand articles will pop up in a matter of milliseconds as people throughout the globe have debated this very topic.  I myself have even written an article about whether or not you need a second photographer.

Since I wrote that last article, I still believe that many brides truly do not need a second photographer.  In fact, I still continue to believe that brides choose to take quantity over quality when it comes to 1 versus 2 photographer packages.  I’m sorry brides, but it’s true!

The key word in that last paragraph is “quality”.  For those photographers who offer two, highly-trained, professional quality photographers (with the proper price tag associated with it), I tip my hat at you for keeping quality an important aspect of your business model.  However, for those photographers who offer 2-photographer wedding packages for mere pennies, I simply must shake my head and think “Why?  Why are you doing this to the industry?!?”

All too often you see two mediocre, shoe-string budget photographers partner up and offer “two photographer wedding packages” for half the cost of the competition.  Sure the photos might be under/over exposued, crooked and off-coloured, but for some reason they still manage to be fully booked every weekend of every year.  Why?  Because they have recognized that the “quantity vs. quality” bride has made her mark in the wedding world and are taking advantage of that.

But here’s the open and honest scoop about this type of scheme.  Two mediocre photographers still aren’t as good as one amazing photographer.  One amazing photographer can capture your entire day including formals as well as candids and can edit those images to sheer perfection.  Sure, they can’t physically be in two places at once, but they are damn good at weaving in and out of crowds with their ninja-like skills and capturing your memories unobtrusively and naturally.  They’ve built their reputation as a one-man (or one-woman) show and have built a successful career around their artistry and talent.

Still not convinced that 1 pro is better than 2 so-so photographers?  I’m not going to beat around the bush anymore – you want that super-cheap 2nd photographer?  Well here’s what you’ll probably get:

  • The 2nd shooter is simply an avid amateur posing as a true professional
  • The 2nd shooter is a highschool or college student getting their co-op hours
  • The 2nd shooter is an untrained friend of spouse of the primary photographer
  • The 2nd shooter simply responded to a Kijiji ad request for a 2nd shooter job that offered a few bucks and may have never worked with the primary photographer before (No relationship between photographers = many photo bombs!  Do you really want to have that happen?)
  • The 2nd shooter probably doesn’t have pro level gear and probably has no backup gear, either!
  • The 2nd shooter more than likely doesn’t have liability insurance
  • Did you want that 2nd shooter because you wanted each photographer in a different place at a different time?  Well…
    • The primary photographer may still insist on shooting everything themselves (ie: groom in the morning + bride in the morning) because they know the 2nd shooter can’t pose people as well as them and that their work isn’t consistent or reliable
    • This means that your wedding day schedule will end up the same as it would have been had you simply hired the 1 amazing photographer instead!

These shoe-string budget photographers who offer 2 photographers for the price of 1 won’t be around in 3 or 4 years – how would you feel if your “cheap and affordable” wedding photography went out of business before delivering your final product to you?  Their work will never be good enough to build a decent reputation nor can an individual run a business, replace equipment and pay for basic living costs with the little money that these “budget friendly wedding packages” bring in.  We need to see a re-emergence of the quality over quantity bride – the bride who values the true artistry and talent in her vendors.  The wedding industry showcases some of the most exquisitely talented individuals; whether it’s chefs, photographers, decorators or florists, and these talent vendors are taking a hit with the disappearance of the quality bride.

Finally, I want to address the issue of “missing moments”.  I often hear from clients that they feel like they need a 2nd shooter because they are afraid that the primary photographer will miss some of the candid moments.  Although I understand that your wedding day is important to you and that you want to capture as many of the memories as you can, I truly believe that someone who wants a 2nd photography simply to get “a few more shots from a few different angles” is best off with hiring a videographer instead of a 2nd shooter.  Videography tells the story of your wedding day, as does photography, but it also has the benefit of movement and sound (which is what many of those candid moments are all about).

Toronto Wedding Photography by Ten·2·Ten Photography

Toronto Wedding Photography by Ten·2·Ten Photography
As the solo photographer at this wedding, you’re shooting with 1 eye and looking for the next shot with the other eye. As our bride was putting on her earrings, I noticed her aunt sneaking up for a peek into the transformation from niece to bride so I quickly repositioned, recomposed, and got the shot.

So, is it really better to have 2 mediocre photographers rather than 1 excellent photographer?  Let’s put it this way:

If you think hiring genuine professionals is expensive – wait until you see what it costs you from having hired the amateurs…

 

admin - May 17, 2013 - 4:13 pm

Hey Kyle! Thanks for the comment; I don’t disagree at all regarding your point. Yes, there absolutely are times when one photographer cannot physically be in two separate places at once and it is necessary to have a 2nd shooter if you cannot accommodate your schedule to make things work with 1 photog.
The clients who truly DO need 2 photographers are the ones who have the toughest decision to make; do they spend the extra money and hire two AMAZING professionals or opt to save and go with 2 mediocre photographers. I would certainly hope they understand how important quality is but like you said, there are so many “cheap photography duo’s” around the GTA and Oshawa region that it’s scary to think what kind of sub-par photos brides and grooms are getting as a result.
Thanks for your comments! Keep in touch!!
-Erika

Kyle - May 16, 2013 - 8:09 pm

Very good article and so many true points. Seems more so in the GTA and Oshawa area have become infamous for the $350 2 photographer deal.

However only one tiny point I have to argue. My wife and I from time to time both shoot at the same wedding (we’re business partners and equally experienced/seasoned).

It has come to be INCREDIBLY handy when the bride is getting ready at point A, and the groom and the guys are getting ready at point B 60 ish kms away.

Now in Toronto traffic, 6kms can sometimes take over an hour to travel, or from small town to small town, even a 60 km drive will take 45mis to an hour depending on limits/conditions.

We all want to be at all places at once, but 2 photogs do offer some value add..

again though, pro vs am. huge difference. 10 crappy photographers cant replace 1 pro. so I agree with you there.

Photography Branding: A Brief Introduction

Some photographers just have “okay” looking photos; the colour is okay and the contrast is fine, but it lacks a certain “wow” factor.  Establishing an editing style is part of branding yourself and your company.  Branding is an incredibly vast topic and there are entire blog sites devoted to the topic which is why I’m gearing this post as a very general introduction to editing styles and branding in hopes to inspire you to further research the topic on your own.

Although your personal editing style is a hugely important component of your branding, it doesn’t stop there!  Branding includes: websites, logos, slogans, mission statements, packaging, etc.   Although these other aspects are important in the overall branding of your company, it’s important not to lose countless hours in brainstorming slogans or trying out thirty different website layouts unless you know who you are as a photographer and what your style is!

Here are a few tips for not only new photographers but for photographers who want to re-brand their business:

1.  Spend the time getting to know yourself; the personal side of yourself and the business side of yourself.

When you don’t have a camera in your hands, what is it you like doing?  Are you a modern person who finds inspiration in sleek lines and symmetry or do you prefer vintage-inspired decor and an organic lifestyle?  Your editing style should reflect who you are if you want your products to be genuinely inspired!  If you choose a “style” based on what you feel is popular and will sell well, your work will risk missing that “wow” factor because your heart and soul won’t actually be in your product.  Photography is an incredibly competitive industry and if you lack a ‘wow factor’ you may not remain in business.

As for the business side of yourself, there’s no better way to learn about your own business values than by reflecting on your own previous experiences as a customer (both positive and negative).  Spend some time thinking about situations in which you were offered amazing service and think about what made that service so great. Was it the speediness of it?  The smile you were greeted with?  The amazing quality and value of the product?  Now think about times where you received sub-par service and what in particular made the service ‘bad’.  Did you receive a low-quality product?  Were people rude to you?  Or did you simply receive a product that differed from your expectations?

After reflecting, grab a piece of paper and start writing some answers to the following questions:

  • What are your core values?  What matters to you not only as a photographer and artist, but as a business owner and service provider?
  • What are your passions?  What excites you and gets those creative juices flowing when you pick up a camera?
  • What service(s) and/or product(s) can you offer your clients that no one else can?
  • Identify your strengths as well as your weaknesses both as a photographer/artist and as a business person.

Putting answers down on paper will help you see common themes which will help establish your brand.  Furthermore, acknowledging potential weaknesses helps you work with them and improve on them before they ever risk becoming an issue in either your performance or your service.

2.  Think about what you’re good at doing!

I already had you list your passions in the section above… but I also had you list your strengths and weaknesses.  The reason I had you list both is because in order to be a successful photographer, you also must be good at the service you’re offering!  Drive, ambition and stick-to-it-iveness is part of being successful and there’s no doubt about that – but talent is also mandatory.

You may love babies from afar, but haven’t the slightest idea on how to hold them and sooth them.  You sir or madame, should not be a baby photographer.

You may adore weddings and fall in love with the intricacies, details and decor – but you may panic under the pressure and high speed of the day and lose more shots than you get.  You sir or madame, should not be a wedding photographer.

You might be gobsmacked by the breathtaking beauty and intensity of a model while posing for a high fashion shoot – but if you have no idea on how to use the lighting and edit the photos according to the high standards of fashion photography, then you sir or madame, should not be a fashion photographer.

The point I’m trying to get at is that even if you LOVE something, there’s no point in offering that service to paying customers unless you’re also good at it.  It sounds harsh, I know, especially since we were all taught to ‘follow our dreams’ – but following your dreams will not pay your mortgage and put food on the table.  If you cannot offer a service that people want to pay for, you cannot run a sustainable business.

3.  Think of your target audience and reflect upon how your style fits in that audience

If your style is “grungy” with a “hard and edgy” twist, your target audience will not be newborn photography no matter how much you love babies!  If your target audience is brides and grooms, a style that includes a timeless factor is crucial as very few couples opt for “overly trendy” wedding photos.

Now, I’m not saying that being overly trendy is a bad thing in the wedding industry; it just means that you need to choose your means of advertising carefully and understand that it may be more difficult for you to find clients than a more timeless photographer will.

photography branding example

I quickly made these two logos with a little clip art simply to illustrate how your “style” and your “target market” may not always compliment each other. Which of the newborn photographers above would you want to bring your precious little baby to?

4.  Understand a certain styles may make you “dated” over time

White vignettes, selective colour, and nasty overly processed sepia tones… all of which are styles that have come and gone!  If you define yourself based on something that is too trendy, you risk looking like an old and dated photographer when that trend dies.

I want to take some time to briefly discuss ‘vintage’ effects.  Vintage edits are this decades “selective colour”.  Although they look superb on some photos, the majority of vintage edits look out of place if there isn’t proper context in the photo (ie: a modern luxury car with bride and groom in sleek modern attire, edited with a ‘vintage’ look seems simply out of place).

Vintage is still a trend – there’s no guarantee that it’s here to stay!  Like any style, the bohemian/hipster/vintage crazy may surely migrate into another realm and when that happens, you’ll need to totally definite yourself as a photographer or people will think you’re old, un-creative and un-talented!

So if you’re going to develop a vintage inspired style and brand your entire business with a vintage-inspired feel, please proceed with caution and continue exploring your photography skills and please remember that there may be a time in the future that you will need to consider rebranding in order to maintain a profitable business.

5.  Stop tweeking your logo!  Seriously… just stop!

Many new photographers are so anxious to get their websites and blogs up and running that they often forget to fine-tune their brand before going live.  This results in “tweeking” of their logos, banners, watermarks, etc, every few months for an infinite amount of time.

If you look at the definition of branding, it’s about creating a lasting and memoriable identity for your product!  If you’re always changing your color scheme, logo, etc, how the heck is someone supposed to remember who you are?

There’s a fine line between complete re-branding and constant “tweeking” of your branding.

6.  Define your identity: pick a specialty!

I do a lot of online and in-person photography mentoring which includes a website assessment.  I’d say that about 80% of the photographers offer a multitude of specialities and this can be incredibly problematic when branding yourself!

Establishing an identity is difficult when your services are so varied.  For example, a photographer who focuses exclusively on boudoir photography would find their online identity to be clean, modern, chique, a little bit sexy and riské – perhaps the use of blacks, purples and gem tones or lace overlays.  This is NOT the kind of branding you would use for photography photography… so why offer both?

If you want to offer multiple services and each of them is quite varied (such as family photography, boudoir photography and commercial photography) I would suggest operating off of 3 separate webpages so that each can have it’s own identity.  Your clients would be directed to a general splash page upon entering your URL and can then choose the appropriate pathway.

7. Be proud of who you are!

This is possibly my favourite section of this post and it’s rarely spoken of by the top experts in the branding field (which I find odd).  Self-esteem, whether in your real life or in your online persona, is incredibly important!  When you brand your business, you’re unknowingly putting a huge portion of yourself out there for the world to see as great branding is a reflection of the artist within.

If you’re branded your business according to what’s hip and trendy and not what’s actually in your heart and compliments your talents, you’ll never be proud of what you are.

.

Although I’m far from a branding “expert”, I have spent several years helping new photographers create their brand and have first hand knowledge at how branding affects your business and am happy to share my insights with the many other photographers who are reading this.  For those of you considering re-branding your business or if you’re just starting up and aren’t sure where to start, I would recommend not only following the steps above, but to also consult a branding specialist in your area.  Invest in your branding and it will show!

Wedding Photography Sale (for select 2013 dates)

Hello there, lucky bride or groom!  If you’re getting married in 2013 and still haven’t booked your photographer then boy oh boy do I ever have a special announcement for you!

We’re nearly booked for 2013 with only a few select dates left – but we would love to fill those dates with your wedding!  For the month of May, we’re offering a fantastic promotion:

affordable wedding photography prices

A Few Small Details

  • Valid for new clients only
  • Must be getting married during 2013
  • Deposit must be placed in full (discount will be reflected on the balance)
  • Cannot be combined with any other discount, promotion or sale
  • Not valid for custom packages
  • Must secure your date no later than May 31st, 2013 (sorry folks, no wiggle room with this! May 31st is the deadline and we are sticking to it!)

Want to book your wedding with us?  Awesome!  Here’s some information you may need about booking your wedding with Ten·2·Ten Photography.  Looking forward to hearing from you!